We’re nearing the end of December here meaning it’s time for everyone to say goodbye to 2012 and welcome in the new year. 2012 was a big year for the site as it reached nearly 30,000 total views and my article on HBO’s now defunct series Luck was used as a required reading at University of Oregon. Sadly, work and personal things interfered with the blog in the later half of the year, but I figured I’d try and make up for things with the second annual Remotely Interesting Retrospective. This time I’ll be breaking down my favorite TV series into three categories: First Tier, Second Tier, and Third Tier. Any of the five shows in the First Tier could easily be number one given the episode. The Second Tier consists of my five “second best” series of the year and the Third Tier is to highlight five additional shows that were particularly outstanding and deserve some extra recognition. And don’t worry, all the write ups will remain spoiler free, dealing with only broad strokes rather than fine details, so go ahead and read without fear. Continue reading
Everything we view in the media exists as carefully constructed, but not always intentional, social commentary. Films and television series are endlessly edited and changed at the hands of executives in suits whose end goal is to make as much profit as possible off the product. Their job is make the video appeal to as many viewers as possible. By the very nature of the job they have to suck out the uniqueness and turn the heavy, vaguely sweet taste of pumpernickel bread into plain old generic Wonder bread. Often this metaphor is actually quite literal with main stream media being predominantly focused upon white males. The average lead of you big budget, blockbuster film or high profile network is almost always going to be a white male. They may throw in a female counterpart or an American-American best friend to so-called diversify the product, but in the end you’re viewing a product told from a particular social view that reinforces a white patriarchal power structure.