We’re nearing the end of December here meaning it’s time for everyone to say goodbye to 2012 and welcome in the new year. 2012 was a big year for the site as it reached nearly 30,000 total views and my article on HBO’s now defunct series Luck was used as a required reading at University of Oregon. Sadly, work and personal things interfered with the blog in the later half of the year, but I figured I’d try and make up for things with the second annual Remotely Interesting Retrospective. This time I’ll be breaking down my favorite TV series into three categories: First Tier, Second Tier, and Third Tier. Any of the five shows in the First Tier could easily be number one given the episode. The Second Tier consists of my five “second best” series of the year and the Third Tier is to highlight five additional shows that were particularly outstanding and deserve some extra recognition. And don’t worry, all the write ups will remain spoiler free, dealing with only broad strokes rather than fine details, so go ahead and read without fear. Continue reading
The ABC television series LOST is one of the great success stories of the aughts. The show was deemed a colossal failure before it even began by advertising companies, was notorious for being the most expensive pilot ever shot at the time, and even led to the firing of the network executive who developed the idea. Yet the pilot would go on to amass 18.65 million viewers in the U.S. (Kissell, 2004) and soon became a world wide phenomena, airing in over one hundred and seventy different countries and being titled the second most popular show in the world by appearing in the most top ten in more countries than any other show other than CSI: Miami (BBC, 2006). With ratings like that, the question of whether LOST counts as a cult television series gets brought up frequently. While LOST may not work with the traditional definition of cult, when one takes into account the metamorphosis of the term cult and what it means in relation to the current state of television, it becomes intrinsically clear that yes, LOST is cult television. In fact, LOST is a quintessential example of modern network cult TV that provides a case for why cult TV matters as it brings fans together to create dedicated communities, while also serving as a model for the future of industry.
Today’s the last day of 2011 and all week long I’ve been looking back at my TV viewing for the year and writing my thoughts on every single episode I watched. To start things off we covered my Second Tier series aka my five “second favorite” shows of the year, then looked at Other Shows I watched, followed by all the various episodes I sampled in Bits & Pieces. To end 2011 I present to you my top five series of the year. Each of these series fully deserves the crown of “best show of the year”. Some might consider a five way tie a cop out, but I consider it a great year of television.
With the 2010-2011 television series having officially ended last week most shows are now on break till the season starts back up again in September. While there are a handful of good summer series that you should be watching (FX’s Louie, AMC’s Breaking Bad) I thought I’d put together a list of three dramas and three comedies I’d recommend watching this summer to keep your TV busy during a season that tends to be a scripted series drought. I’ll personally be catching up on HBO’s The Wire and hopefully Deadwood, along with rewatching LOST with my girlfriend. I’ll be writing about those shows periodically throughout the summer and maybe a few more if I finish those quickly, but till then here’s what I recommend you should be catching up on.
This a review of the first six episodes of Parks & Recreation’s third season, written right after the premiere of “Indianapolis”. It covers all the episodes leading up to “Harvest Festival”.
When Parks and Recreation first aired in 2009 it was little more than a clone of The Office. It used the same mockumentary filming style and contained many of the same characteristics to the series. But just as in season two of The Office when the American version broke away from the British counterpart its based on, so did Parks And Recreation in season two brake away from The Office. In what seems like no time the show went from the weak link in NBC’s comedy lineup to easily the highlight. Season three, which began late in January, has continued this trend with being one of the most reliably funny show of the night. While Community overshadows it in ambition, The Office in ratings, or 30 Rock in awards, it remains the most consistently comical series on NBC (I’m not even going to mention Perfect Couples or, worse, Outsourced). No matter what episode, the series remains hysterical and fully entertaining.